Abstract
This article reviews the ways of visibility of both objects and nature in poetry based on the selection and description of some images in terms of poetic calligraphy. We therefore reflect on the plasticity of poetic images, on the materiality of strokes, and on the ways of arranging the elements composing them. Both objects and nature—their tension, presence, or disappearance—are addressed in anachronistic terms, as a review of poetics and new sensitivities.