Abstract
The complexities and contradictions implicit in the preparation of a curatorial discourse in certain spaces known as symbols and references of power, while acting on the socio-cultural development of Chilean society, affecting and / or enhancing the exhibition experience especially when the focus is placed on the problems of landscape and territory which establish a direct dialog with the public.
The triangulation of scenarios and the figure of an institutional curator intersect and / or face these issues through space museality policies and the sustainability of curatorial projects, understood as territorial locations within the institution, which will be analyzed through the exhibition Puro Chile. Landscape and territory, held at the Centro Cultural Palacio La Moneda in 2014.