This critique comments the exhibition Ilustres desconocidas developed at the Emilio Pettoruti Provincial Museum of Fine Arts in La Plata with works from the museum’s collection. The exhibition shows works of art of scantly recognized women artists and propose keys to its production and circulation. In this critique are covered two central points of the exhbition, understood as a critical intervention on the artistc canon and on the museum’s collection.
Contra el canon y entre la colección. Ilustres desconocidas en el Museo Provincial de Bellas Artes
