This review analyzes some aspects of the first anthological exhibition of Alicia Penalba in Argentina: Alicia Penalba. Escultora, at MALBA. In the first place, we reflect on the cut operated on the trajectory of the artist. Next, the representation of Penalba as a tragic artist is evaluated based on certain concepts coming from the feminist theories of art. Finally, the paths of inquiry opened by the exhibition are briefly evaluated.
Notas sobre Alicia Penalba. Escultora
