This review offers a critical reading on the curatorial and museological policies in which contemporary art is exhibited. Taking the case of the exhibition Excéntricos y superilustrados that took place, between July and October of 2016, in the Museum of Modern Art of Buenos Aires, the author asks for the effectiveness of the curatorial device that, sometimes, tends to territorialize and cancel the disruptive power of art.
Excéntricos y superilustrados, Museo de Arte Moderno de Buenos Aires
