Abstract
In 2017, the UNTREF IIAC Archive began cleaning, digitizing and disseminating a monumental oeuvre. This is the Osvaldo Lamborghini Fund, spanning his work in Barcelona between 1981 and 1985. Thousands of pages are arrayed in three series: literary manuscripts; drawings, paintings, and collages; and artist's books. This article examines the origin of the Fund, describes the types of works that comprise it and, finally, discusses various uses that it has fostered from its creation to the present.