Abstract
In this article I will approach the work of the Peruvian textile artist Ana Teresa Barboza, inquiring about the possible meanings and affects that emerge from her approach to landscape from textile materiality: what relationships are estab-lished between bodies and territories, between its organic and inorganic com-ponents? I propose to think about the works of Ana Teresa Barboza within Jens Andermann’s (2008, 2018) conceptions of “assembly”, “trance” and “post-land-scape”, as concepts that allow us to think about the affective mediation between images and environment.