Abstract
This writing is an extension of a recently published work. It seeks to frame the investigative reflection of the artistic praxis of a personal process that becomes a method and a practice of poetic and material research. I am interested in pre-senting in this work, the theoretical crossover between the graphic practice that I have called florisgraphy as an original graphic procedure of my own authorship and its relationship with the field of bioart. The florigraphic procedure is present-ed as an emerging contemporary practice within the field of artistic praxis, in relation to the use of organic supports and its intimate relationship with bioart. This work does not intend to make a tight definition of the notion of florigraphy, but to present it as a contextual and contingent artistic practice.