Abstract
This essay addresses the actions involved around Memoria trolx. Redes de afec-to, prácticas artísticas & autogestivas by Virginia Negri. The exhibition curated by Ana Wandzik proposed a unique way of working: it consisted of the organization and display of Negri’s personal archive for its entry into the Colección Castagnino+ macro. This archive documents a series of independent and self-managed spaces that emerged in the city after 2000, becoming a key tool to reconstruct and preserve the recent memory of the city.