Abstract
Reading the present enables going on a trip to nearby fields other than literary criticism, such as anthropology or psychoanalysis, in order to ask questions not so much in sociological terms, but rather using the essay form, a format that would place a listening and an approach in a singular way. In this context, we see a shift in young poetry written in Rosario, in which small independent presses, writing, reading, and catalogs comprising visual artists entered the literary field and changed it radically.