Neo, Post, Ultra, Pre, Para, Counter, Anti. Modernity, Baroque and Capitalism in Mexican Contemporary Art
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How to Cite

Marzo, J. L. (2012). Neo, Post, Ultra, Pre, Para, Counter, Anti. Modernity, Baroque and Capitalism in Mexican Contemporary Art. Estudios Curatoriales, (1). Retrieved from https://revistas.untref.edu.ar/index.php/rec/article/view/709

Abstract

Certain kind of response is described in this text, when faced with a political and financial situation like that of Mexico, whose transformation was evident with the end of the PRIist state, and that carried a significant discussion about the Mexican features within an ultra-liberal environment. Neo-baroque bets were adopted as a way or re-arranging Mexican culture – the Neo-Mexican– within a new context of financial and identity subsidiarity and competence. Neo-baroque allowed overcoming sound paradoxes of what had been traditionally considered as owned, and thus articulating debate in a less creaking terrain as that offered by multicultural post-modernity.

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